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Pio
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Maria
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ÆÄÅ°½ºÅº
Mashal Books
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Golden Phoenix> ¿ì¸£µÎ¾î(ÆÄÅ°½ºÅº
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ÃâÆÇ
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Á¦12ȸ (2005³â)
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<ÀÌÀÎÈ Áß´ÜÆí¼±> ¸ù°ñ¾î ¹ø¿ª, ÃâÆÇ |
|
Maurizio Riotto
(³ªÆú¸®´ë Çѱ¹Çаú ±³¼ö) |
<°í·Áµµ°æ> ÀÌŸ®¾î ¹ø¿ª, ÃâÆÇ |
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Le Dang Hoan
(º£Æ®³² ±¹¸³´ë ±³¼ö) |
ÇÑ¿ë¿î ÀÛ <´ÔÀÇ Ä§¹¬> º£Æ®³²¾î ¹ø¿ª, ÃâÆÇ |
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<Ȳ¼®¿µ Áß´ÜÆí¼±Áý> Áß±¹¾î ¹ø¿ª |
|
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Alexander Fedotoff
(¼ÒÇǾƴë Çѱ¹Çаú ±³¼ö) |
<Çѱ¹°íÀü¹®Çлç> ºÒ°¡¸®¾Æ¾î ¿¬±¸, ÃâÆÇ |
|
Yanitsa Ivanova
(¼ÒÇǾƴë Çѱ¹Çаú ÀüÀÓ°»ç) |
<Çѱ¹Çö´ë¹®Çлç> ºÒ°¡¸®¾Æ¾î ¿¬±¸, ÃâÆÇ |
|
Ann Y. Choi
(·µ°Å½º´ë ¾Æ½Ã¾Æ¾ð¾î¹®ÈÇаú ±³¼ö) |
<1920³â´ë Çѱ¹ ½Ã> ¿¬±¸, ÃâÆÇ |
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(¿¬º¯´ëÇÐ Á¶¼±Çѱ¹ÇÐ Çпø ¿øÀå) |
<Çعæ 60Áֳ⠱â³ä ÀçÁßÁ¶¼±¹ÎÁ·¹®Çдë°è> ÃâÆÇ |
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|
ÀåÇÐ |
ÇÑÀ¯¹Ì
(Æĸ®7´ëÇÐ Çѱ¹¾î°ú ¹Ú»ç°úÁ¤) |
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Á¦11ȸ (2004³â)
|
ºÎ¹®
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½ÅûÀÎ(´Üü)
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»ç¾÷¸í
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¹ø¿ª
¹×
ÃâÆÇ
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±è¼Ò¿µ
|
±èÁÖ¿µ ÀÛ <È«¾î> ºÒ°¡¸®¾Æ¾î ¹ø¿ª, ÃâÆÇ
"Thornback Fish" by KIM Joo-Young into Bulgarian
|
|
À̽¼ø
|
<¹Ú¿ëö ½Ã¼±> ÀϺ»¾î ¹ø¿ª, ÃâÆÇ
"Selected Poems of PARK Yong-Chul" into Japanese
|
|
ÇÏ
¹Ö ŸÀ×
|
¹æÇö¼®
ÀÛ <¶ø½ºÅ͸¦ ¸Ô´Â ½Ã°£> º£Æ®³²¾î ¹ø¿ª, ÃâÆÇ
¡°A Time Enjoying Lobster" by BANG Hyun-Suk into Vietnamese
|
| ¿À½º¹Ù½º
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<Çѱ¹ °íÀü ¹× Çö´ë ´ÜÆí¼Ò¼³> Çë°¡¸®¾î ¹ø¿ª, ÃâÆÇ
¡°Korean Classic and Modern Short Stories" into Hungarian |
| ¹Ú¸í¾Ö |
ÃÖ¼öö ÀÛ <¸Å¹Ì> Áß±¹¾î ¹ø¿ª, ÃâÆÇ
"A Cicada" by CHOI Soo-Chul into Chinese |
|
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|
Á¤´ë¼º
|
±Çº¸µå·¡ ÀÛ <¿¬¾ÖÀÇ ½Ã´ë> ÀϺ»¾î ¹ø¿ª
"An Era of Love" by KWON Bodrae into Japanese
|
|
¿¬±¸
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±è¼º¿Á
|
<ÃÖ¼ÇØ ¹®Çבּ¸> Research on "CHOI Seo-Hae"
|
|
¿¡¹Ù
¸£³ªÁ¦È彺ī
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<Çѱ¹Çö´ëÈñ°î ¹× ¿¬±Ø ¿¬±¸> Research on "A History of Korean Drama
and Theatre"
|
| ÀÚ³Ý
Ç® |
<½Ä¹ÎÁö ¸ð´õ´ÏÁò°ú ¹®ÇÐÀÛÇ°¿¡ ³ªÅ¸³ ÀÏ»óÀÇ ÃâÇö ¿¬±¸> Research on "Colonial
Modernism and the Emergence of the Everyday in Mid-century Korea
|
| ±èÇÊ¿µ |
<Çö´ëÇѱ¹¹®Çлç> ÇÁ¶û½º¾î ¿¬±¸ Research on "A History of Modern Korean
Literature"
|
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¶óÆØ |
<¡®ÀüÅ롯ÀÇ ºñÀü : ÀÌÀ±ÅÃÀÇ ¡°¿À±¸¡± °ø¿¬ ºÐ¼®> ¿¬±¸ Research on "Ogu"
by LEE Yun-Taek
|
| ¿¤¸®´Ù
Çì·¹¶ó |
<Çѱ¹ÀÇ ½ÅÈ, »þ¸Ó´ÏÁò ¿¬±¸> Research on "Gods, Heroes and Shamans"
|
|
ÃâÆÇ
|
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È÷·ÎÀ¯Å°
|
±Ç¿µ¹Î ÀÛ <Çѱ¹¹®ÇÐ 100³â> ÀϺ»¾î ÃâÆÇ
"Korean Literature - 100 years" by KWON Young-Min into
Japanese
|
|
ÀåÇÐ
|
°¿Á
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Á¶¼±Á· ÀÛ°¡ <±èÇÐö ¹®Çבּ¸> Research on "KIM Hak-Chul"
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Á¦10ȸ (2003³â)
|
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|
»ç¾÷¸í
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ÀÛ <¼Ò½Ã¹Î> Áß±¹¾î ¹ø¿ª, ÃâÆÇ
"The
Common People" by Lee Ho-Chul into Chinese
|
|
¾È¿ì½Ä
|
½Å°æ¼÷
ÀÛ <¿Üµý¹æ> ÀϺ»¾î ¹ø¿ª, ÃâÆÇ
"A
Lonely Room" by SHIN Kyung-Suk into Japanese
|
|
¿À¹Ù¶ó¿À
ÃâÆÇ»ç
(O barra O Edizioni)
|
ÀÌûÁØ
ÀÛ <À̾> <¿¹¾ðÀÚ> ÀÌŸ®¾î ¹ø¿ª, ÃâÆÇ
"Io
Island", "A Prophet" by YI Chong-Jun into Italian
|
|
¹ø¿ª
|
¿¡°ÅÆ®
¸¶¸®¿Â
(Eggert Marion)
|
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ÀÛ <¿ÇÏÀϱâ> µ¶ÀÏ¾î ¹ø¿ª
"Yolha
Ilgi" by PARK Ji-Won into German
|
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¹×
ÃâÆÇ
|
Çö¿ø¼÷
|
<°µ¶À»
À§ÇÑ Çѱ¹°íÀü¹®ÇÐ> ·¯½Ã¾Æ¾î ¿¬±¸, ÃâÆÇ
"The
Book for Reading in Korean Classical Literature" in Russian
|
|
¿¬±¸
|
±è·ÁÃá
|
<±è¼Ò¿ù
½Ã¹®ÇÐ ¿¬±¸>
Research
on "KIM So-Wol Poetry"
|
|
»ç³ª´Ù
È÷·ÎÄÚ
(Sanada Hiroko)
|
<ÀϺ»ÀÎÀ»
À§ÇÑ Á¤Áö¿ë Àü±â> ¿¬±¸
Research
on "CHONG Ji-Yong Biography"
|
|
ÃâÆÇ
|
¿¡¹Ù
¸£³ªÁ¦È彺ī
(Ewa Rynazewska)
|
<¿Àż®
Èñ°îÁý> Æú¶õµå¾î ÃâÆÇ
"O
Tae-Sok's Collection of Plays" into Polish
|
|
äÛ÷îßöïÁ
(Iwanami
Shoten)
|
Ȳ¼®¿µ
ÀÛ <¼Õ´Ô> ÀϺ»¾î ÃâÆÇ
"The
Guest" by HWANG Seok-Young into Japanese
|
|
ÀåÇÐ
|
¹Ú¼±¿µ
|
<Çѱ¹
¸®¾ó¸®Áò ¹®ÇÐÀÇ ½Ä¹ÎÁöÀû ±â¿ø> ¿¬±¸
Research
on "The Colonial Origins of Korean Realism and Its Contemporary Manifestation"
|
|
¾Æ³×
ÈÞ½ºÅ¸µå(Ane T. Husstad)
|
<±è½Ã½À
¼Ò¼³¿¡ ³ªÅ¸³ ¿©¼º Àι° ¹× ¿©¼º À̹ÌÁö> ¿¬±¸
Research
on "Kim Sisup; Female Personages and Images of Women in his Fictional Works"
|
|
ÇмúȸÀÇ
|
¼ÒÇǾƴë
Çѱ¹Çаú(Sofia University)
|
<Çѱ¹¹®ÇÐ
¹× ¹Î¼ÓÇÐ ¼¼¹Ì³ª> °³ÃÖ
Korean
Literature and Folklore
|
|
µ¶ÀÏ
º» ´ëÇÐ Çѱ¹Çаú
(University
of Bonn)
|
<Çѱ¹¹®Çаú
¹ø¿ªÇÐÀÇ ¸¸³²> ±¹Á¦ Çмú´ëȸ °³ÃÖ
Interface
of Translation Studies and Literature
|
Á¦9ȸ (2002³â)
|
ºÎ¹®
|
½ÅûÀÎ(´Üü)
|
»ç¾÷¸í
|
|
¹ø¿ª
¹× ÃâÆÇ
|
±è¼Ò¿µ
èâ
|
À̹®¿ÀÇ
<¿ì¸®µéÀÇ Àϱ׷¯Áø ¿µ¿õ> ¿Ü 3Æí ºÒ°¡¸®¾Æ¾î ¹ø¿ª, ÃâÆÇ "Our
Twisted Hero" by YI Mun-Yol into Bulgarian
|
|
±è¿ø¼®
èâ
|
<Çѱ¹´ëÇ¥Èñ°îÁý>
·¯½Ã¾Æ¾î ¹ø¿ª, ÃâÆÇ"Contemporary
Korean Plays" into Russian
|
|
¹Ý°íÁö
³ª·»µå¶ó ¸ðÇÑ
(Pankaj N. Mohan)
|
ÇÑ¿ë¿îÀÇ
<´ÔÀÇ Ä§¹¬> Èùµð¾î ¹ø¿ª, ÃâÆÇ
"The
Silence of Love" by HAN Yong-Un into Hindi
|
|
À±ÇØ¿¬
|
'Çѱ¹ÀÇ
¸í½Ã' Áß±¹¾î ¹ø¿ª, ÃâÆÇ
"Korean
Poetry" into Chinese
|
|
·ç½º
¾Æ¶óÁö
(Ruth Arazi)
|
<Çѱ¹´ÜÆí¼Ò¼³>
È÷ºê¸®¾î ¹ø¿ª, ÃâÆÇ
"Korean
Short Stories" into Hebrew
|
|
¹ø¿ª
|
º£¸£³Ê
»ñ¼¼(Werner Sasse)
/
¾ÈÁ¤Èñ
|
<¿ëºñ¾îõ°¡>
µ¶ÀÏ¾î ¹ø¿ª ¹× Çؼ³
"YONG-BI-O-CHON-KA"
into German
|
|
¿¬±¸
¹× ÃâÆÇ
|
¾Æ¸¶³ë¹Ù
±¼¸®½ºÅº
(Amanova Gulistan)
|
<Çѱ¹Çö´ë½Ã(1930¡1945³â)>
¿¬±¸ ¹× ·¯½Ã¾Æ¾î ¹ø¿ª, ÃâÆÇ "Korean
Modern Poetry(1930¡1945)" into Russian
|
|
±èÇÊ¿µ
|
<Á߾ӾƽþÆ
°í·ÁÀÎ ¹®Çлç> ¿¬±¸, ÃâÆÇ
Research
on "History of Soviet Korean Literature of Central Asia"
|
|
¿¬±¸
|
Ä«Æ®¸°
¶óÆØ
(Catherine Rapin)
|
<ÃÖÀÎÈÆ
Èñ°î¿¡¼ÀÇ ¿©¼ºÀι°> ¿¬±¸
Research
on "Women in CHOI In-Hun's Drama"
|
|
¿¤¸®´Ù
Å©¸®½ºÆ¼³ª Çì·¹¶ó(Elida Cristina Herrera)
|
Çѱ¹¹®Çлç
¿¬±¸ ¹× ´ëÇ¥ÀÛÇ° ºÐ¼®
Research
on "The History of Korean Literature"
|
|
ÃâÆÇ
|
»ç¿¡±¸»ç
µµ½ÃÄ«½º(ß²ò«áøã)
|
<Çѱ¹±Ù´ë¹®ÇÐ>
ÀϺ»¾î ÃâÆÇ
"Modern
Korean Literature" into Japanese
|
|
ÀåÇÐ
|
ÀÌÀ翬(LEE
Jae-Yon)
|
<°³È±â
Çѱ¹¼Ò¼³> ¿¬±¸
Research
on "Korean Fiction during the Enlightenment Period"
|
|
µµ¼
|
¿ï¶õ¹ÙÆ®¸£´ë
Çѱ¹¾îÇаú
(Ulaanbaatar
University)
|
<Çѱ¹¹®ÇÐÅë»ç>(Áö½Ä»ê¾÷»ç)
µî Çѱ¹¹®ÇÐ °ü·Ãµµ¼
"The
History of Korean Literature", etc.
|
|
ÄÚ³Ú´ëµµ¼°ü
µ¿¾Æ½Ã¾Æ¿Í½¼Ä÷º¼Ç
(Cornell
University, Wason Collection on East Asia)
|
<Çѱ¹Çö´ë¼Ò¼³ÀÌ·ÐÀÚ·áÁý>(±¹ÇÐÀÚ·á¿ø)
µî Çѱ¹¹®ÇÐ °ü·Ãµµ¼ "The
Theory of Contemporary Korean Literature", etc.
|
Á¦8ȸ (2001³â)
|
ºÎ¹® |
Áö¿ø³»¿ª |
|
¹ø¿ªÃâÆÇ |
Osvath
Gabor (Çë°¡¸®, ºÎ´ÙÆ佺Ʈ °æÁ¦´ëÇÐ µ¿¾ç¾îÇаú ÇаúÀå)
/ <Çѱ¹ÀÇ
½ÃÁ¶> Çë°¡¸®¾î ¹ø¿ª, ÃâÆÇ |
|
Larisa
Pisareva (·¯½Ã¾Æ, Çѱ¹¿Ü´ë ·¯½Ã¾Æ¾î°ú ±³È¯±³¼ö)
/ <Çѱ¹
Çö´ë ´ëÇ¥½Ã¼±(Á¦ 2±Ç)> ·¯½Ã¾Æ¾î ¹ø¿ª, ÃâÆÇ |
|
¸ð½ºÅ©¹Ù
»ïÀϹ®È¿ø (Moscow Samil Cultural Center, ·¯½Ã¾Æ)
/ ±è¼Ò¿ù
½ÃÁý <Áø´Þ·¡> ·¯½Ã¾Æ¾î ¹ø¿ª, ÃâÆÇ |
|
Nguyen
Quang Thieu (º£Æ®³², ½ÃÀÎ)
/ <Çѱ¹Çö´ë½Ã>
º£Æ®³²¾î ¹ø¿ª, ÃâÆÇ |
|
ÃÖ±ÇÁø
(ºÒ°¡¸®¾Æ, ¼ÒÇÇ¾Æ´ë ±³¼ö)
/ ±è½Ã½ÀÀÇ
<±Ý¿À½ÅÈ> ºÒ°¡¸®¾Æ¾î ¹ø¿ª, ÃâÆÇ |
|
±è°æ¼±
(Áß±¹ ºÏ°æ¿Ü±¹¾î´ëÇÐ Çѱ¹¾îÇаú ºÎ±³¼ö) / Çѱ¹´ÜÆí¼Ò¼³
Áß±¹¾î ¹ø¿ª, ÃâÆÇ |
|
À±»óÀÎ
(ÇѾç´ë ÀϹ®°ú ±³¼ö) & Susumu Morita (ÀϺ») / <±è±¤±Ô
´ëÇ¥½Ã¼±> ÀϺ»¾î ¹ø¿ª, ÃâÆÇ |
|
¹ø¿ª
|
Eva
Rinazewska (Æú¶õµå, ¹Ù¸£»þ¹Ù´ë Çѱ¹¾î¹®Çаú °»ç) / <¿Àż®Èñ°îÁý>
Æú¶õµå¾î ¹ø¿ª |
|
Ravikesh
(Àεµ, ¼¿ï´ë ±¹¹®°ú ¹Ú»ç°úÁ¤)
/
<¿Õ¿ÀõÃà±¹Àü>
Èùµð¾î ¹ø¿ª
|
|
Tajiri
Hiroyuki (ÀϺ», õ¾È´ë ÀϺ»¾î°ú Á¶±³¼ö) / ±Ç¿µ¹Î
îÊ <Çѱ¹¹®ÇÐ 100³â> ÀϺ»¾î ¹ø¿ª |
|
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Andre
Schmid (ij³ª´Ù, Åä·ÐÅä´ëÇÐ µ¿¾Æ½Ã¾ÆÇÐ ±³¼ö)
/ ¡®¼±¸ÀÇ
Ãʱâ Çѱ¹ÇС¯ ¿¬±¸ |
|
Anna
Izabella Paradowska (Æú¶õµå, ¼¿ï´ë ¾ð¾îÇаú ¹Ú»ç°úÁ¤) / ¡®Æú¶õµåÀÎÀ»
À§ÇÑ Çѱ¹¾î À½¼ºÇÐ ½Ç½À±³À硯 ÁýÇÊ |
|
Joanna
Katariina Hwang (¿µ±¹, ¼ÎÇʵå´ë µ¿¾Æ½Ã¾ÆÇÐ ¹Ú»ç°úÁ¤) / ¡®¹®ÇÐÀÇ
¿©¼º¼º¡¯ ´Ù½Ã¾²±â |
|
ÃâÆÇ |
Sultan
Ferah Akpinar (ÅÍÅ°, ¼¿ï´ë ±¹¹®°ú ¹Ú»ç°úÁ¤) / ÀÌÀͼ·
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